African Women essays

African Women essays The second largest continent in the world, Africa is huge, complex land mass occupied by thousands of tribes and nations. West Africa, from which most slaves came, contains tremendous differences in culture, language, and political and economic structure. An African woman could have expected to participate to participate in the economic life of the community out side her own home. Along the coast of West Africa, which most slaves came, women were often traders, an especially important role in an area where the economy was still primarily mercantile rather than industrial. An African woman could also have expected to own and control some of her own property after marriage without having to get permission from her husband. In many areas women could buy land or goods. Women in all parts of the world had an affect through their husband and sons but African women had formal structure through which to work, making decisions and effecting changes that have an impact on the entire tribe or n ation. In those days, African women had somewhat more power and autonomy than women in European countries. But how far did their power reach? (Shining Thread Of Hope Pg 10) Women in Africa could trade, own property, and sometimes collectively influence political decisions, but they could not exercise power over men. In most places, for example, women, girls, young children were not allowed to eat until the men and boys had finished, and they were forbidden to eat certain highly nutrition food. An African woman was accustomed to being resourceful, determined, and somewhat independent economically. She probably had all the qualities to a greater degree than the average young woman in Belgium or France. To that degree, the enslaved African woman had a cultural advantage, a background that would help her survive in the New World if she brought it with her. Slavery was a great eraser, and enslaved Africans came to northern farms and southern plantations as bla...

20 Exploratory Essay Topics Ideas Relevant to Globalization and Minority American Communities

20 Exploratory Essay Topics Ideas Relevant to Globalization and Minority American Communities There are many things which contribute to minority communities. This means that the topics available for your next essay are seemingly endless. Students can examine how people, ideas, and even organizations move and interact with different minority communities throughout America including groups like African Americans, Asian Americans, and Mexican Americans often referred to as Chicanos. Students can also explore each of their cultures of origin. Historical migration changes which influence groups of immigrants moving to new locations as well as other facets which contribute to the growth of specific migration and migrant communities in certain cities are all examples of potential subject matter. Even more exciting is the ability to take an existing or previously existing migrant or minority community and explore what the individuals within that community created amongst themselves and shared with other communities. Minority communities have provided a great deal of music throughout history, with each minority community creating their own music genre. The same is true for artwork as well as literature and even some scientific contributions. That being said, selecting a single topic from this wide range of ideas can be tiresome and exhausting. It is for this reason that you will find 20 sample exploratory essay topics listed below. Eleanor Roosevelt’s Contributions to Women as a Minority Community in America Jane Addams Contributions to Women as a Minority Community in America Frances Willard’s Contributions to Women as a Minority Community in America Cesar Chavez’ Contributions to Mexican Immigrants as a Minority Community in America The Impact of Illegal Immigration on Minority Community Creation Contributions to Farm Workers as a Minority Community in America by United Farm Workers Contributions to Women as a Minority Community in America by Women’s Suffrage Movement. American Civil Rights Movement’s Contributions to African Americans as a Minority Community in America Physical Traits Contributing to Minority Communities in America Religious Traits Contributing to Minority Communities in America Involuntary Inclusion in Minority Communities Migration’s Creation of Minority Communities History of Gender Contributing to Minority Communities in America Facets of Race Contributing to Minority Communities in America Ethnicity Changes Contributing to Minority Communities in America Minority Status of Chicanos in the US Minority Status of African Americans in the US Minority Status of Native Americans in the US Minority Status of Asian American Immigrants in America Minority Status of Women in America Arent those topics exciting? Well thats not all. We also offer to your attention 10 facts on globalization of  American minority communities with our exploratory essay writing tips in order to properly cover these topics. Now you can read a sample essay on one of the topics from the list above to give you a better understanding of what requirements you have to meet for your next paper writing assignment. Sample Exploratory Essay: Minority Status of Chicanos in the US There have been many movements of ideas, institutions, and individuals between minority American communities in the United States. Multiculturalism and mass migration has allowed for Chicanos, Asians, and African American communities to come together as one.  This coming together and sharing of cultures in 19th and 20th centuries has created a global village, so to speak. The sharing of such ideas and ideologies between different groups has also led to the creation of even broader communities. This is particularly true of the Chicano minority group in the United States. Mexican American constitute large numbers of immigrants in cities with Mexican names such as San Antonio, Los Angeles, in Albuquerque. But these individuals are members of the community which has existed in the Southwest since the 1800’s. The community has changed from mexican society to distinctly Chicano. Chicanos have been defined by mainstream society as people who are of Mexican descent. Unlike other minority groups in the United States they are at the same time indigenous and an immigrant community made up of Mexican descendants who have lived in the territories previously owned by Mexico. Unlike all other ethnic groups within the United States, Mexico   fell under the rule of the United States through the conquest of their territory. Mexico was defeated by the United States in a war which left more than 60,000 Mexican Americans north of the new border . It was their geographic location north of this new border that converted their status from Mexican to Mexican American. Since that time Chicanos have regularly been viewed as a racial minority, a minority which was never quite part of the white American majority. The racial nature of this minority community has created anti-mexican discrimination which is best combated with the multitude of legal changes implemented by courts ranging from local levels all the way to the Supreme Court again racial targeting. In cases where race is the backbone of oppression it is largely because the Chicanos are considered inferior by the majority. It is for this reason that their minority status remains problematic today. Rather than converting into the majority and assuming the title of American they are still considered a separate minority under the banner of Chicano. During the most part of 20th century Chicanos have been defined as a racially different minority, different from Americans. In California many states used the term Chicano to describe a distinct race. Groups from Latin America as well as Native American have all been blended together under the title of Chicano. Bringing a minority status has cultivated the idea that Mexican Americans are different from other Americans. Being classified as a minority in the United States enforces racial subordination. It does not guarantee equal treatment in society and in spite of attempts to implement equality still allows for the growth of racism. While many Chicanos do not consider themselves inferior and continue to adopt their original lifestyles and cultural nuances the truth of the matter is that while they remain titled a minority they will remain treated as immigrants and not allowed to exist as equals. References: Almaguer, Tomas.  Racial fault lines: The historical origins of white supremacy in California. Univ of California Press, 2008. Cheng, Wendy.  The Changs Next Door to the Diazes: Remapping Race in Suburban California.  2013. Hira, S. Questions and Answers about Reparations for Colonialism. (20). Ong, Paul M, and Anastasia Loukaitou-Sideris.  Jobs And Economic Development In Minority Communities. Philadelphia, PA: Temple University Press, 2006. Print. Steger, Manfred B.  Globalization. Print. Taneja, Preti.  Assimilation, Exodus, Eradication. London: Minority Rights Group International, 2007. Print. Williams, Phillip.  Special Education In Minority Communities. Milton Keynes: Open University Press, 1984. Print.

Systemic lupus erythematosus Research Paper Example | Topics and Well Written Essays - 500 words

Systemic lupus erythematosus - Research Paper Example Lupus can be drug induced, can occur in babies born to women who have Sjogren’s Disease or can be confined to the skin. Systemic lupus erythematosus is more widespread in that almost every part of the body can be affected. Symptoms experienced include extreme fatigue, skin rashes, weight loss and fever ( Lupus Health Centre, 2012) Kim et al ( 1999) also described respiratory distress in adults with the condition. Kimberly ( 2001, page 650) describes how both extreme hypertension and infection can be the causes of fatality in this very serious condition. The author looks at what he describes as ’research opportunities’ of different types and how these could be expected to bring about advances in treatment of the condition. This list includes such the identification of relevant genes, as well as how these become activated in early auto immune activity, causing the disease and involving both the inborn and acquired immune systems that humans have. He looks first of all at the incidence of the condition, stating that it is commoner among females as compared with males, and also that it is both commoner, and often more severe, among certain racial groups, naming both those of Hispanic origin and black people. It is stated that ( page 650) both the inflammatory and non-inflammatory damage caused to the body’s various organs, is due to the immune system and its pathogenic role in SLE. He looks forward a long way, believing that the next quarter of a century will bring about great advances in both understanding and the management of the condition. He sees this as moving towards a prevention of Systemic Lupus Erythematosus. ( SLE). Antigens are provoked into action and these in their turn incite other antigens, and so the disease spreads through the victim’s body. The author describes current methods of management including the use of non –steroid anti- inflammatory drugs , as well as ones originally developed in

British literature with 3 choices for the topic Essay

British literature with 3 choices for the topic - Essay Example The natural world becomes, strangely, an unnatural and supernatural one inhabited by monsters. The terror of the unknown is common not just to the Norsemen, but to all men, and the intangible menace invoked by the supernatural reaches out of the text and grips the reader as well. Society in Beowulf has its core in the hall, not unsurprisingly called ‘Heorot’, meaning ‘heart’. The hall is surrounded by the hunter-gatherer village structure of women and huts, representing the outer periphery of society. Beyond lay the unknown – swamps and wilderness denoting the other, outer world where Grendel lives, unable to access Heorot and the social affection and bonding within. He can only watch from afar. The ‘Loathly Lady’ is a common motif found in literature extending back to Celtic and German mythology and Arthurian legend. The lady is portrayed as an ugly old hag a young and handsome knight has to consummate marriage with. When the deed is done, the crone is transformed into a beautiful, youthful maiden, who informs her husband that he can choose her to be beautiful and false or ugly and true. By letting his new wife make the decision herself, the knight frees her from the spell, and she is now fair and faithful. In the Irish tradition, the loathly lady has been thought to personify the sovereignty of the land, the parallel being that whoever submits to the prophetess kingmaker and her wishes will become the ruler of the land. The ‘lady’ is shown as different from the norm, both in the magical forms that she takes, as well as her behavior. Both Alysoun, in the prologue to The Wife of Baths Tale from Chaucers Canterbury Tales, as well as Dame Ragnelle in the tale itself, go against the accepted norms of society. Alysoun is much married and holds forth views on virginity, for instance, contrary to the established mores of the time. Ragnelle’s rude manners at the feast scandalizes all, but must be accepted as she is now wed to

Travel & Tourism Essay Example | Topics and Well Written Essays - 3750 words

Travel & Tourism - Essay Example The travel, tourism and hospitality industry has been growing steadily at a rapid pace. Technology has accelerated growth in entirely different ways in the travel industry. With the Internet explosion, globalization and more people willing to travel, this industry has been evolving rapidly to cater to the customers. Information Communication Technologies and the Internet continue to revolutionize the industry. They are now being touted as major distribution agent for the entire sector. Companies are now utilizing this tool to expand their market and increase their market share by trying to better their relationship with the customer and manage it effectively. With the increasing competitiveness in the industry, mergers and acquisitions are leading the way consolidating the industry players. This paves the way for more aggressive and sustained efforts to upgrade and innovate, altering their entire business model as well if need be, to stay abreast of the competition. Successful organizations thus use technologies to add value to their existing products and to enhance profitability. Man has always travelled from bygone days and his curiosity of the unknown was the basis of the enormous travel industry today. Since means of communication plays a vital part in travel and tourism industry, modern communications systems, with special reference to computer technology, have changed the concept of travel and tourism marketing. The advents of travel agencies and streamlined retail marketing and sales networks have played their part in empowering this massive industry to move forward. Technological advances in household appliances and gadgets have offered great amounts of leisure. All these have influenced tourism by enabling people to travel more. Explosion of internet In 2003, corporate travel bookings made on the Internet compared to the conventional direct bookings by telephone, fax or through the traditional travel agent was at only 12 per cent. Nevertheless, research consultancy marketSHARE predicts that this number will skyrocket to 28 per cent by 2008. Recent industry research shows that over 64% of the population comprising over 38 million people in the UK became Internet users as of 2005. Over eighty per cent of the adult population in this country has now visited the World Wide Web. These figures put the internet usage in the UK and penetration percentages equivalent to key market like the US, where web users now represent over 80 per cent of the adult population, and ahead of Germany and France in Europe. Data Statistics can be viewed at the website Growth of online travel booking users A recent survey of more than 450 travellers in the United Kingdom by consulting firm Accenture, revealed that business travellers are becoming increasingly dependent on the Internet with some 53 per cent of the respondents booking their trips online, 90 per cent of them using the Internet to search flight times and availability, and two-thirds checking-in online. More spending online UK online shopping revenues increased by 50 percent last year and for the first time, more goods and services will be bought using credit card and debit cards than cash, according to a report published by the Association for Payment

Evolving Museum And Visitor Experiences Cultural Studies Essay

Evolving Museum And Visitor Experiences Cultural Studies Essay For over a century the museum has been the most celebrated and respected venue for viewing original works of art, however the design and visitor experience of the museum has evolved extensively throughout history. This chapter investigates how the traditional museum has evolved and how the collaborative approach towards the design and internal arrangement of modern art museums affects the spatial experience of the visitor. Duncan and Wallach in (see Carbonell 2004, p.52) state that, Museums belong to the same architectural and art-historical category as temples, churches, shrines and certain types of palaces. Originally, museum architecture shared characteristics with traditional ceremonial buildings to make visible the idea of state within its context (see Carbonell 2004, p.52). Museums were originally built to house collections of objects which are were of scientific, artistic, or historical importance and make them available for public viewing through exhibits that were permanent. This meant that the spaces and collections were fixed and objects were located deliberately to provide a specific spatial experience for each user. However, according to Bordieu and Darbel in the work of Duncan and Wallach (see Carbonell 2004, p.53), Individuals respond in different ways according to their education, culture and class. It is therefore debateable to say that due to the personal background of each user, they may experience a space differently to how a curator, architect or the artist desires. The journey that a visitor experiences through any museum is usually described in terms of aesthetic contemplation and Duncan and Wallach (see Carbonell 2004, p.51) state that this can be affected by the ensemble of art, the architecture and installations, which are contributing factors to the overall spatial experience of the modern art museum. These factors can be altered regularly to affect a user emotionally, visually or physically and are determined by the curators, the artists and the architects, to provide multiple experiences within one space. Todays society is embracing new museums that provide a wealth of subjects, particularly ones that cater for viewers of the popular trend that is contemporary art. The contemporary art museum is considered a fairly modern  category of museum. Also referred to as an art gallery or centre, art museums provide space(s) for the temporary exhibition of art. It is thought that the content of the contemporary art museum primarily consists of installations, including objects  which are of a sculptural nature, paintings, digital art, fine art, and video art. To design a modern art museum in the present century has become a popular challenge that is sought after by most architects and artists. Collaborative approaches towards museum design and layout have been encouraged as it is believed to enhance the users experience on a great scale, by providing them with a better aesthetic and social experience throughout their visit. The users experience can also provide them with lasting memories about the beliefs and values that museums hope to communicate. Contemporary art museums are essentially temporary exhibition spaces, in comparison with traditional museum buildings that house permanent collections. The actual design of the contemporary museum no longer has the traditional architectural values that a museum had in twentieth century for example. The white cube effect has become a popular idea for museums within the 21st century with some artists and architects believing that the focus of a museum should be the art and not the architecture. However an ironic example of this is the Leytonstone Centre for Contemporary Art, launched in 2001 by British artist Bob Smith. Leytonstone is a London suburb which houses no significant arts venues. This space could be viewed as an artwork or as an art centre, as it primarily a single exhibition space at the end of the artists garden. The artist demonstrates that the white cube can be removed from the gallery or museum and reappear in a totally different context. By doing this he has dissolved the boundary between art and architecture as people may be confused as to what this space is: art or institution. Temporary exhibition spaces raise the question; Does the modern art museum provide multiple spatial experience each time a new exhibition is displayed within it? From the 11th June to the 2nd November 2009, The Architecture Foundation provided a series of dialogues in which artists, architects and critics investigated into how collaborative and artistic approaches can change the practice and products of architecture. This series, called Architecture + Art: Crossover and Collaboration, included a dialogue between Adam Caruso and Thomas Demand, chaired by Alex Farquharson, the Director of Nottingham Contemporary. During the dialogue, Caruso argues that a good exhibition shows artists work in relation to other work and how this creates the spatial experience of the exhibition: A lot of exhibitions nowadays dont sufficiently recognise that the point of an exhibition opposed to a catalogue, is that what physically experiences it, is actually the choice of the work and the configuration of the work in a gallery is a specific and unique event and its there and then its gone. (Tate Channel, 2009 2/11/2009, 7.00pm @ 34.08mins-35.04mins)(NOT SURE HOW TO REFERENCE THIS VIDEO?) By saying this, he is implying that contemporary art exhibitions are intended to provide multiple unique spatial experiences for users and therefore when exhibitions have been and gone, a new spatial experience can be achieved within the same space. Todays contemporary art museums have very few artefacts within them in comparison to the traditional museum. This significantly changes the traditional spatial experience, as the focus of the user is on the few items that are displayed within the museum and the often large spaces that have been dedicated to them, unlike a traditional museum where hundreds of items are displayed with no link to context. During the dialogue (2/11/2009, 7.00pm), Farquharson, states that one problem in recent years within art galleries has been that they are too large for art and that the majority or artists are not interested in exhibiting there. Thomas Demand has had many major solo exhibitions at many of the worlds leading modern contemporary art instituti ons and he agrees with this remark by saying that when he looks to exhibit within a building, he inquires into what type of art work architects intend to provide their space for. Demand (Tate Channel 2009 2/11/2009, 7.00pm?) argues, At some point you want to reshuffle things and you want to make more shows downstairsis that possible or not? Some museums only employ selected artists to exhibit within their spaces for various reasons. These could be that they want art work to coincide with the internal spaces and architecture, or that they want to challenge the artwork through architecture, or visa-versa. As an artist, Demand wants art museums to offer flexible opportunities within their spatial layouts for exhibitions of his work. By saying this, he may be implying that he wants his artwork to offer multiple spatial experiences within one building and if the museum architecture does not have this capability, the creative exchange between the art and the architecture is not beneficial for the user as they are not receiving the best out of an art exhibition or the space. Interactive exhibits within contemporary museums have become popular in the 21st century, which give the public the opportunity to make choices and engage in activities which may vary the spatial experience from person to person; particularly content that includes architectural installations as art. With the opening of 21st century building styles, Victoria Newhouse argues: Art as an entertainment is contested by many together with the related trend toward ever more spectacular museum architecture. While the latter suits some art, it does not suit all art, and in todays wide variety of museums there is often a lack of harmony between container and contents. The need to coordinate this relationship is all too often ignored by those commissioning new museums (Newhouse 2005, p.215) Newhouse thinks that the link between museum architecture and its content is fading, indicating that the collection is less significant than the architecture. In previous eras the interiors and architecture of the museum were related to its content. If Newhouse is correct, the lack of connection to architecture can affect the spatial experience and the focus of the museum becomes the architecture or the art. If there is no creative exchange between both disciplines, it could be said that the spatial experience will not benefit the user as the contributing factors to the overall spatial experience will not be linked. Collaboration within previous architectural styles The Renaissance was a time that saw integration between painting, sculpture and architecture. The oldest public museums in the world opened in  Rome  during this period. However, many significant museums in the world were not founded until the 18th century and the  Age of Enlightenment. Walter Gropius initiated a school in 1919 called the Bauhaus when he combined two existing institutions: the Academy of Fine Art and the School of Arts and Crafts. The Bauhaus was an attempt to create a new style appropriate for the machine age, whilst achieving integration between disciplines. The Bauhaus attitude (Toy 1997, p. 26) believed that: The new building of the future, will embrace architecture, sculpture and painting in one unity. The Bauhaus was seen to offer a modern vision towards design and education; this attitude demonstrated an objective language set out to relieve design of subjective ideas from the previous century. Like the Bauhaus, the Modern Movement insisted there would be no more architectural styles and introduced architecture as a problem solving activity. The problem solving process encouraged the architect to find the perfect functional solution, given any set of technical, economic or social conditions. This method became a defensive mechanism within architecture, designed to keep others out of the building process. Late Modernism in the 1960s however, led to a rebellion towards reason; this process involved dishonouring previous rules for design by using curved forms. Frank Lloyd Wrights Guggenheim Museum in New York was seen as an example of this subjective reaction. The Percent for Art scheme which was introduced in 1990, which capitalised on the growing public art movement in this country, had an intention to extend the opportunities within architecture and public sites for artists through collaboration with architects. This implied the general thought that artists should to be more involved within public building projects from the beginning of the building process. Since then, there has been an increase within collaborative projects for buildings, public spaces and gallery installations. During the 20th century architects tended to work closely with engineers on architectural projects, these relationships were formed to solve spatial problems with a functional response towards design. These relationships had the underlying issue that some architects refused to develop a self-directed aesthetic communication. This meant that architects held back on their subjective design approach and therefore created architecture based on functional and technical reasoning. This process consequently affected architects subjective judgment and their creativity. As a result, the idea of working with an artist became appealing to architects..

Cheating and Plagiarism - It’s Not Plagiarism, It’s Recycling :: Argumentative Persuasive Topics

It’s Not Plagiarism, It’s Recycling What does plagiarism have to do with Shakespeare, Marlowe, Ovid's Metamorphosis, Titus Andronicus, Revenge Tragedies, Adam, Eve and the apple, and The Tempest? All these and many more are the result of plagiarism. There seems to be a great discussion on whether or not Shakespeare is the true author of the plays associated with his name. The internet seems to be full of essays, discussion boards and book reviews all dealing with this particular topic and most of the people submitting them are very forceful and definitive about their positions. In just a few hours of searching I found well over a thousand pages dealing with the original source of the works of art assigned to Shakespeare's name. The most disappointing part was that none of the essays I read even suggested the possibility of Shakespeare just "borrowing" information and topics from other playwrights and authors. They were all mainly interested in the man who actually put the words on paper. Not only did this decrease their usefulness for this particular paper but also they made it seem like the person who wrote the plays down on paper had some particular lawful ownership over them. This was not true though. During the time that Shakespeare was writing plays in England, there were no such laws deeming a play protected by copyright laws. Today, plays are usually published and distributed but in the Elizabethan era, plays were only written enough for the actors to learn their lines. When plays were put on there was usually a large audience. This audience could have included other playwrights and actors who would then remember pieces of what they saw and use them later in their own productions. How could this be copyrighted? Back then, actors were lucky if they did not get stopped by the police while performing a play why would the ideas of a playwright be protected by law? I do not think anyone even cared if the plays were used as resources for other plays. If Shakespeare used a part from one of Marlowe's plays, then Marlowe could take some ideas from Shakespeare. Since most of the ideas for plays came from famous works anyway, who's to say that Shakespeare's idea was even his own? Ovid's Metamorphosis is one of the most referenced works in the plays we have read already in class. Cheating and Plagiarism - It’s Not Plagiarism, It’s Recycling :: Argumentative Persuasive Topics It’s Not Plagiarism, It’s Recycling What does plagiarism have to do with Shakespeare, Marlowe, Ovid's Metamorphosis, Titus Andronicus, Revenge Tragedies, Adam, Eve and the apple, and The Tempest? All these and many more are the result of plagiarism. There seems to be a great discussion on whether or not Shakespeare is the true author of the plays associated with his name. The internet seems to be full of essays, discussion boards and book reviews all dealing with this particular topic and most of the people submitting them are very forceful and definitive about their positions. In just a few hours of searching I found well over a thousand pages dealing with the original source of the works of art assigned to Shakespeare's name. The most disappointing part was that none of the essays I read even suggested the possibility of Shakespeare just "borrowing" information and topics from other playwrights and authors. They were all mainly interested in the man who actually put the words on paper. Not only did this decrease their usefulness for this particular paper but also they made it seem like the person who wrote the plays down on paper had some particular lawful ownership over them. This was not true though. During the time that Shakespeare was writing plays in England, there were no such laws deeming a play protected by copyright laws. Today, plays are usually published and distributed but in the Elizabethan era, plays were only written enough for the actors to learn their lines. When plays were put on there was usually a large audience. This audience could have included other playwrights and actors who would then remember pieces of what they saw and use them later in their own productions. How could this be copyrighted? Back then, actors were lucky if they did not get stopped by the police while performing a play why would the ideas of a playwright be protected by law? I do not think anyone even cared if the plays were used as resources for other plays. If Shakespeare used a part from one of Marlowe's plays, then Marlowe could take some ideas from Shakespeare. Since most of the ideas for plays came from famous works anyway, who's to say that Shakespeare's idea was even his own? Ovid's Metamorphosis is one of the most referenced works in the plays we have read already in class.

Catcher in the Rye by J.D. Salinger Essay

In The Catcher in the Rye by J.D. Salinger, the author takes us on a journey with Holden Caulfield, a sixteen-year-old boy, going in and out of many boarding schools. When he gets kicked out of Pencey the story begins. In fear of coming home to his parents, Holden takes a trip to New York; which leaves him at the point of mental, physical, and emotional insanity. As the novel goes on his obsession with keeping children from losing their purity grows. The adult world seems fake, and Holden does not respect people who made the transition. In Gerald Rosen’s â€Å"A Retrospective Look At The Catcher In The Rye† he explores Holden’s connection to other characters in the book. He also analyzes the difficulties in crossing over to the adult world. Holden qualms the crossing over due to the fact that losing one’s innocence will force one to face reality, and will at times cause adults to â€Å"fall† into a deeper hole. Holden’s mania of keeping children from transitioning to adult hood shows all throughout The Catcher in the Rye. Rosen explains that during the period of time Holden was in the museum he made it known that everything always stayed the same. The purpose of the â€Å"glass cases† acts as a defense against touching, or tainting. â€Å"Like the children in the museum, to protect the innocent, the catcher must strictly refrain from touching; he must ‘just leave them alone’’’ (Rosen). This moment in the book compares the protected artifacts to the innocence of a child. He feels that if the children had someone to protect them from getting affected (â€Å"touched†) by the hard and cruel times in life they could hold onto their purity for as long as possible. Holden expresses the fact that he wants ensure security and stability during these times in life. This point seems to be the first point in the novel where Holden shows a desire to keep children from corruption. â€Å"Anyway, I keep picturing all these kids playing some game in the big field of rye and all†¦What I have to do, I have to catch everybody if they start going over the cliff† (Salinger 173). Holden wants to â€Å"catch† the kids from their transition into an adult. He does not want them having to deal with losses they will have to overcome in life. He believes that going into adulthood marks the point where society shows its true face. Since Allie, Holden brother’s, death he sees how reality twists and warps in sick ways. While walking around the museum he sees profanity. â€Å"I went down by a different staircase, and I saw another ‘Fuck You’ on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn’t come off. It’s hopeless, anyway. If you had a million years to do it in, you couldn’t rub out even half of the ‘Fuck You’ signs in the world. It’s impossible† (Salinger 173).When Holden see those words written on the wall he realizes that the youth has already gone through exposure to corruption and cannot go backwards. Holden now understands his inability to save the children from â€Å"falling†, growing up. Since Holden has spent most of his time refraining other from going into adulthood, he did not see how much he himself has fallen. Holden has many similar qualities to a former classmate, James Castle. â€Å"Holden is identified with Castle by Castle’s having killed himself while wearing Holden’s sweater and by Castle’s appearing just before Holden on the roll call and school. This carries the implication that Holden maybe next in line for Castle’s death† (Rosen). James Castle’s way of and to death influenced Holden’s view of life. He suddenly became ostracized in society surrounded by a bunch of â€Å"phonies†. Death was the start and end of Holden’s loss of innocence. Holden never truly had an adult figure in life. His parents detached themselves from him, in times of his need. Feeling like he needed to communicate with someone he called his former teacher, Mr. Antolini. Holden wants to catch children from falling, where as Mr. Antolini wants to save Holden from a rough way down. â€Å"I have a feeling that you’re falling, a terrible,terrible fall† (Salinger 186).Mr. Antolini says this because ever since Allie’s death Holden has had a series of falls. Even though Allie was younger than Holden, he idolized him and thinks very highly of him. Mr. Antolini symbolizes Holden’s loss of Allie, loneliness, and inability to posess self-esteem. Holden wants to provide insurance for children so they do not experience the reality of society and from â€Å"falling† into a deeper hole. Making sure he succeeds, he does everything to keep them from going over the edge. Holden grows up through the novel, and realized that losing one’s innocence in is an unavoidable part of life. In this stage of life one makes the most mistakes and learns from them. If one never went through experience necessary to grow into an adult, they would seem very naà ¯ve and easily taken advantage of. People that have gone through the difficult crossing over want to protect children from the hard-ships. Works Cited Rosen, Gerald. â€Å"A Retrospective Look At The Catcher In The Rye.† American Quarterly 457-462 Salinger, J.D. The Catcher in the Rye. Boston: Little, Brown, 1951.

Bronchitis Essays - RTT, Chronic Lower Respiratory Diseases

Bronchitis Essays - RTT, Chronic Lower Respiratory Diseases Bronchitis Bronchitis is the inflammation of the bronchi. It may develop suddenly, following a head cold (acute bronchitis), or it may persist or return regularly for many years, causing progressive degeneration of the bronchi and lungs (chronic bronchitis). Certain people are more susceptible than others; Men are more of a target to bronchitis than women, out numbering them 10 to 1 cc the reasons are unclear. Of course smokers are 50 times more likely to get chronic bronchitis than noncsmokers. Acute bronchitis is a bacteria or virus infection, often following a cold smoking. People who have acute bronchitis usually have a mild fever, soreness under breast bone, irritated by coughing. First they have a dry cough then the cough later brings up green and yellow mucus. The cough may persist to 4 to 6 weeks. Chronic bronchitis is produced by other chronic problem: sinusitis, smoking, TB, etc. The Bronchi becomes thick, inelastic, and accumulate mucus and pus in lower part of lungs instead of bringing discharges up and out. The result is chronic cough, shortness of breath, sometimes spasm, and frequent infection. In acute bronchitis, the basic symptoms are a head cold, fever and chills, running nose, aching muscles and possibly back pains. This is soon followed by the obvious persistent cough. At first the cough is dry and racking and eventually becomes phlegmy. The persistent cough is worse at night than during the day, and when the person breathes in smoke and fumes. The main symptoms most recognized in chronic bronchitis is, again, a cough, with sputum, often occurring in paroxysms. Other symptoms in chronic bronchitis are dependant on how much, or how little, emphysema is present. This disorder causes the lungs to become overstretched, making the breathing process difficult. The chronic bronchitic with no emphysema tends to be overweight and often has a bluish tinge to his or her lips due to lack of oxygen. Shortness of breath only occurs during exercise and other strenuous activity. The bronchitic with a great deal of emphysema, who has lost a lot of his or her oxygen cc exchanging ability, due to the condition, is short of breath at all times. The bronchitic with emphysema very often are underweight and, as the disease comes worse, develops a barrel chest. The Chronic bronchitic also wheezes because of the obstruction. NOTE: Emphysema is a state of overdistention of the tiny air-containing sacs of the lung. The cause of bronchitis are from viral or bacterial infections which spreads to the chest. The body uses defence mechanisms to try to prevent the viruses and bacterias from spreading the infections. Examples of defence mechanisms are sneezing, coughing, etc. There are also white blood cells to help us the fight off the bacterias and viruses. However if new viruses and bacterias enters our body then the white blood cells will have to take some time to recognize the new viruses and bacterias. Fortunately, a different kind of white blood cells try to fight off the bacterias and viruses as much as they can but unfortunately as they are doing that, they are releasing other chemicals. The chemicals enter the tissue that surrounds the trachea (see page 5 cc diagram 1) and they begin to expand and swell up. As they expand, they squeeze the trachea (see pg 5 cc diagram 2). As a result, less air can pass through the trachea causing a short of breath. Generally, bronchitis occurs with greater frequency in winter, in damp, cold climates, and in heavy polluted environments. The best treatment for acute bronchitis is bed rest in a warm room. Cough medicines will relieve the cough and aspirin will reduce the fever. Acute bronchitis that is viral usually runs it's course without medication. A proper diet and avoidance of additional irritants such as smoking are recommended. Steam inhalations is helpful in eliminating congestive mucus. Antibiotics may be needed if the cause is bacteria. Treatment of chronic bronchitis is more difficult. The patients lungs are already damaged and the destruction of the airways are not easily renewed. Bronchial dilator drugs may be given to the patient to relieve any such obstruction, while physiotherapy will help the patient get rid of any sputum. Yoga and breathing exercises may help shortness of breath. In severe cases, urgent hospital treatment may be required. Oxygen may have to be given through the course of the illness. Postal drainage can also be tried. This is when the patient lies on a bed, a large cushion raising the groin, and smaller pillows supporting the chest. Tapping the chest in this position causes the patient to

Compare and Contrast

Compare and Contrast Compare and Contrast Compare and Contrast By Maeve Maddox Jay asks â€Å"Compare with† = contrast; What are the circumstances by which one would use contrast as the verb instead? In general use, such as in writing a compare/contrast essay, compare means find the similarities and contrast means find the differences. Definitions from the OED: compare:. trans. To speak of or represent as similar; to liken. contrast: To set in opposition in order to show strikingly their different qualities or characteristics, and compare their superiorities or defects. Compare derives from Latin comparare to liken, to compare. Contrast derives from Latin contra, against plus stare, to stand. In Middle English the word was used in the literal sense to withstand or fight against as in battle. The word fell out of use until the end of the 17th century when it was reintroduced as an art term meaning to place in such juxtaposition as to bring strongly out differences of form, colour, etc., and thus to produce a striking effect. For differences in meaning between compare to and compare with, see Compared to or Compared with. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Expressions category, check our popular posts, or choose a related post below:45 Synonyms for â€Å"Food†Taser or Tazer? Tazing or Tasering?Quiet or Quite?

Civil Rights Era Essay Example | Topics and Well Written Essays - 750 words

Civil Rights Era - Essay Example Before the 1960s, other major nations like the United Kingdom had in various ways permitted higher levels of freedom to the Black community (Mohammed, 2010). Faith Ringgold had used the ‘N’ word in her painting thus to bring attention to the fact that it was high time the so called ‘nigger’ of the United States had his or her own freedom and rights respected. Clearly, the overall meaning of her work could be summed as a protest against racism. Living a fight that had been started by the civil rights movement, Faith Ringgold was more or less adding her voice to the call for the Black American to be respected by virtue of his color and the need to the Black community to be granted as much freedom and justice as the White community. In relation to the documentary, the N Word, which sought to review various meanings associated with the word nigger, one is right to say that the title of ‘Die Nigger’ used by Faith Ringgold was an advocacy call for the negative connotations associated with the word nigger and the personality of the African American, of which the painter was one, as nigger to die (Mohammed, 2010). In the opinion of the painters, the African America did not deserve any more continuation of nigger connotations and so the overall meaning of the painting was for the associated nigger to die once and for all. One unique social structure of the United States that distinguishes it from other major countries and cultures of this world has to do with the kind of identification they give to citizens who are not of original American descent. This identification is in the fact that they want to mention the original origin of the citizen in addition to the word, American. One of such identifications is Mexican-American. Interestingly, this does not end there. In the era prior to the civil rights freedom era, it was generally speculated and notion that Americans refused to give total freedom to the respect of the rights of thes e labeled Americans. In this vain, several civil rights groups sprang up among these labeled Americans who in most cases formed the minority group (Rogers, 2009). The Chicano Movement is one of such popular groups that were instituted to defend the human rights of Mexican-Americans. As a member of the Mexican-American himself, Mel Casas used his talent and profession as a painter to trumpet his side of the message for equality before the law. In support of his move, other famous methods of trumpeting the need for equality sprang up through the use of strange means like cartoon and commercials. PART 2 1. A s far as the representation of the two imagery are concerned, it can be seen that the artist took advantage of the power and authority behind the national flag of the United States to put her message of the need for absolute equality before the law across. It is not surprising therefore that the painting really was done in the image of the United States flag. Imperatively, one nati on that had all its people using the same flag needed to be treated the same but in the opinion of the artists this was not done. She therefore could not help than to use her painting to create the impression that some people among the American society had a different identity by virtue of the treatment they received in the hands of their own people. 2. The first point that confirms that the message in the work of

Ethics and law in business and society Research Paper

Ethics and law in business and society - Research Paper Example Ethics represents the doctrine related to moral philosophy, which incorporates systematic, defending and recommending concepts that further intend to segregate between the right deeds and wrong deeds. The anthropomorphic view reflects about the human behavior of following an order under the enforcement of lawThis view is generally adapted by individuals and entities as a phenomenon of natural pride for being able to provide a meaning to their world. Ironically, the underlying fact is that human beings pertain to be the actual source of morals and ethics. Therein, imposition of laws to raise the ethical standard of human beings is often contravened with skeptic arguments concerning its effectiveness. One such example had been the enactment of Hippocratic Oath, which has continued in the recent phenomenon, with the enactment of the Sarbanes-Oxley Act 2002. The Sarbanes-Oxley Act 2002 has been enacted to protect the investors, who invest in the form of securities by refining the accurat eness and trustworthiness of the company’s financial disclosure. This law was basically enacted in retort to the frequent reporting of accounting scandals in early 2000s, especially drawing from the inferences in the Enron case. Correspondingly, this particular law complies with a motive similar to that endured in the Hippocratic Oath to raise integrity and moral values amid the medical professionals and the physicians for practicing medicine with truthfulness, but in the paradigm of accountants and auditors in the 21st century context (Newsome & Wilson, 2006; Tyson, 2001). Although these two laws deal with different realms of professionalism, while the effectiveness and complete realization of the intended virtues of Hippocratic Oath in raising the moral values of medical practitioners remain dubious (Stern & Papadakis, 2006; Gilman, 2005), the effectiveness of Sarbanes-Oxley Act is implying the same for accountants and auditors has also been a subject of major concern. Henc e, the focal point of the discussion henceforth is not to differentiate between these two laws but is rather confined to critically examine the roots and the effectiveness possibilities of Sarbanes-Oxley Act 2002 as a measure to stimulate moral understanding and develop conscience within accountants and auditors to avoid instances such as Enron’s collapse in the future. This essay, in precise, thus intends to discuss about the public policies associated with the Sarbanes-Oxley Act 2002 from a critical viewpoint. History of the Act Public Policy Prescription Section 302 of the Sarbanes-Oxley Act 2002 reflects about the financial reports that need to incorporate certain certifications to prove its accuracy, transparency and legitimacy. The policy further stresses on the fact that it is the responsibility of the financial officers to review the report before signing their agreement to the disclosed facts, in order to ensure that the report being framed does not entail ‘Mat erial Untrue Statement’. Eventually, the signing officers are considered as solely responsible for the internal controls of a company and thus, the only enforcer to accounting integrity. Correspondingly, Sarbanes-Oxley Act 2002’s section 401 incorporates the policies associated with the financial disclosures. In accordance to this particular section, the financial statements being published must be accurate. Furthermore, these financial statements must incorporate ‘Material Off-Balance Sheet’ transactions or liabilities. The commission here is basically required to conduct a detailed study on the ‘Off-Balance Transaction’. According to the policies of Sarbanes-Oxley Act 2002 mentioned under section 404, the issuers must publish information concerning the scope along with the adequacy in the annual reports. Eventually, the section 409 of the concerned act focuses on the responsibilities of the issuers to inform the public on immediate basis per taining to any change(s), which occurs within their financial